Wednesday, July 27, 2016


Recently, in getting ready to plan the projects for my upcoming August Stamp-In Workshop, I had it in my head that I wanted to create a card using the Stampin' Up! butterfly punches, coordinating "watercolor-y" splashes of color, the new stamp set, Playful Backgrounds (page 121) I'd gotten, and incorporating a resist.

Initially, I rubbed my piece of Whisper White cardstock well with my Embossing Buddy, followed by inking up the open bubbles from the stamp set with VersaMark ink, and embossing them using Clear Embossing Powder.

My first attempt involved sponging the proper colored inks in a swath across the embossed circles. Very unpleasing result. Next try, I used the Aqua Painter and the colors once again. Nearly as disappointing.


The third try turned out to be a winner. But, messy and unpredictable. Something I always sense that the girls at my workshops get frustrated with.

For this try, I wetted down a 4" x 5 1/4" piece of 140-pound coldpress watercolor paper well with water. (Using this size, I still thought it could be used as a traditional A2 sized card.) Then, utilizing the Aqua Painter once again with the reinkers, I dropped color along the rainbow spectrum. A desperate need to work quickly minimizes the dark splotches of color you can get otherwise.

I then punched out each of the two sizes of butterfly in every color: Real Red, Tangerine Tango, Daffodil Delight, Garden Green, Marina Mist, Pacific Point and Elegant Eggplant.

After gluing the butterflies together and in place along the colors, I added Basic Pearls to each of the butterfly bodies. Once the glue set, I tilted the wings of both butterflies slightly upwards to mimic flight and motion.

At this point, I felt there had been too much time, care and dimension in the piece to become a mere card that the recipient may just throw in the trash. G. A. S. P. ! !

So . . . 

After matting it with thin edges of Daffodil Delight and Pacific Point cardstock, the size had swelled to 6" x 4 3/4". The obvious choice from here was to mount it onto an 8" x 10" piece of the same watercolor paper. 

Since 8" x 10" is a standard size for a framed piece, I plan to find the perfect frame for it and nestle my butterflies within, but, of course, without glass. Unless I am able to search out the perfect shadowbox frame that would enable it to be covered with glass that rises above the artwork so the wings can stay unfurled.

Wish me luck on this final step!


Sunday, July 24, 2016


I guess I'm still on a little bit of a kick: using the "stained glass" die that I first introduced in THIS POST. 

Since the first several cards I'd made with that die utilized traditional cardstock, I decided to give it a try with Designer Series Paper (DSP) to introduce a little more interest. Of course, since it is still July, I opted for a combination that was a bit Christmas-y in its looks -- CHRISTMAS IN JULY! 

The DSP was a little tougher to work with because it is a thinner paper than the cardstock. It just gave me a bit more grief. 

But, the end result had a quilted-looking stained glass appearance, so I decided my sentiment would reflect this feeling. 

Then, to add to the cozy look, I added a bit of quilted Cherry Cobbler ribbon from a few years back underneath my sentiment. 

Just a side note: I don't know if this is something scientific, or what could cause this phenomenon, but I discovered that, even though the DSP pieces were created with the very same die as the black cardstock base, I found it more difficult to fit the pieces within the black grid. Most of the spaces showed a bit of the white at the edges from the white base underneath. (Notice this in the above photos.) Does anyone have any practical explanation for this?


Wednesday, July 20, 2016


How many times have you experienced the rush? That feeling that you get when you spot something that you just know you have to have as part of your life? The excitement. The I GOTTA HAVE IT syndrome! That NEED to add something to your stash. The realization of the virtually endless POSSIBILITIES?

Well, that's EXACTLY the feeling I got when I first set my eyes on the Apothecary Art stamp set introduced by Stampin' Up! a few years back.

When I finally got it in my hands, I cherished it, and used it time after time after time. The gentle perfection of it was just so precious.

Imagine my chagrin when it was retired WAY BEFORE ITS TIME! Oh, woe is me! I was CRUSHED!

I happened upon these wondrous images the other day, and, I must tell you, I could not resist using it once again.

I really don't care that my favorites are retired and not considered CURRENT PRODUCT. If I love it, I love it, and I WILL use it! Unlike many demonstrators out there who immediately rid their stash of retired product, I hang onto forever those things that I love. Retired or not. 

Thus, on occasion, I will be sharing with you creations I have made with -- OH NO!! -- retired products. 

Bear with me -- and ENJOY!

For the card in today's post, I stamped the beautiful design in Memento Tuxedo Black ink onto 140-pound cold press watercolor paper. I then used an Aqua Painter and retired -- GASP!! -- inks in my attempt to make an old-fashioned cabbage rose concoction. 

I wanted to come up with an old-fashioned color scheme for my card also, finally incorporating shades of the primary colors.

To add to the nostalgic look, I used current product -- well, sort of -- in the form of the gorgeous tissue paper that comes in my monthly Paper Pumpkin box. I love that tissue and will never never throw any of it away!

Faux Silk was the technique I chose to utilize this beautiful tissue paper by crumpling it and pressing it against a Glue Stick (oh no! Glue Sticks are retired too!) covered piece of white cardstock.

I layered the blue background against a 4" x 5 1/4" piece of white cardstock that I edged with RETIRED Washi Tape. I love how this adds to the nostalgic feel. 

I must admit that ONE thing on this card is current product from the catalog! Yessss!! That is the lovely 5/8" Organza Ribbon on page 178 of the catalog. This classic ribbon has been a staple for several years now. And that makes me so happy!

The texture and dimension of this card is luscious -- if you ask me!

The moral of this post is this: If you fall in love with a product -- ANYTHING! -- enough to go ahead and purchase it, don't give up on it just because it becomes retired. If your love remains long after retirement, keep it and USE IT! 

As demonstrators, we are expected to use current product in the hopes that our customers will buy what we share. Yes. This is important. But, what about those wonderful things you were convinced to buy? Just because they retire does not devalue their worth. You love it! Use it!


Sunday, July 17, 2016


I am sure that you recognize the background of this card as having been created with the Fluttering embossing folder (page 195). But, wait! Something's different!

By brayering ink, in this case, Mint Macaron, onto the embossing folder before running it through the Big Shot gives you an elegant look, not unlike the look of letterpress.

And by adhering the large butterfly diecut (Butterlies Thinlits, page 194) by his body only, and letting his beautiful wings tilt gently upward, you achieve the look of a butterfly having lightly landed and about to take off once again.

 I think the overall effect of the components of this card is one of gentle elegance.

Following I include a tutorial to remake this lovely -- sans stamping -- butterfly card on your own.

Whisper White cardstock
Soft Sky cardstock
Island Indigo cardstock
Crushed Curry cardstock (in this case, I used textured cardstock that I had in my stash)

Mint Macaron ink

Big Shot
Fluttering Embossing Folder
Butterflies Thinlits
Basic Pearl
Island Indigo Ribbon

After scoring at 5" on the Simply Scored tool, fold and crease well with a bone folder a 5" x 10" piece of Whisper White cardstock.

Ink up the brayer with Mint Macaron ink and gently brayer across the RAISED butterflies side of the Fluttering Embossing Folder. Get the butterflies as evenly inked as possible without letting the ink stray beyond the butterflies themselves. Use a gentle touch.

Run a 4 1/4" x 4 1/4" piece of Soft Sky cardstock through the Big Shot inside the folder, making sure the paper is square inside the folder so the butterflies flutter in perfectly straight lines. When the embossed piece emerges, the butterflies should be green, while the background remains Soft Sky.

Lay a length of Island Indigo ribbon about 1 1/4" from the bottom of the butterfly piece, anchoring the ends of the ribbon to the back of the piece.

Adhere this to a 4 1/2" x 4 1/2" piece of Island Indigo cardstock, then to the card base.

Cut a large butterfly using the Butterflies Thinlits from Crushed Curry cardstock. Add a large Basic Pearl to the center of his body.

Adhere the butterfly to the embossed piece with adhesive only on its body. Tip the wings gently upward for dimension and interest.

Because this card ends up being 5" square, you will want to create your envelope with the Envelope Punch Board (page 84), an indisposable tool that I turn to frequently.


Wednesday, July 13, 2016


When I discovered this intriguing die on Clearance at a very handsome price, I could not resist adding it to my shopping cart. 

Don't you agree that it is just so interesting and inviting and full of possibilities?

And here is a little closeup of the die, complete with paper residue after being used many many times:

Since the die is not Stampin' Up!, I hesitated to use it in one of my Stamp-In Workshop creations for my participants to make. But, in all honesty, it was just too cool not to share with others. 

And they LOVED it! 

In fact, I provided the black and white base and asked them to choose their own color palette from a stack of cardstock selections. So, basically their card would be completely unique -- their very own! Their cards turned out to be so distinctively wonderful that I took a picture of them holding their cards and posted it to my Facebook page. Unfortunately, it was an unusually small group that day, but, even so, they had lots of fun with the project.

Anyway, another reason I hesitated to have the girls do this project was because, when I was creating my sample, I made such a mess of things. You know what they say: Experience is the best teacher. And, boy, did I learn from my girls!

I'm not sure Spellbinders would agree with my method for putting together a card of this sort. But, I created my base from black cardstock, discarding all the "puzzle pieces" within the grid. I then ran it through my Big Shot three more times, with each of the three colors I had chosen for my design. But this time, I kept the puzzle pieces, as I planned on filling in the grid with my color selections. 

Now, here is where I made my HUGE mistake!

I dumped all of the colored puzzle pieces in a heap in front of my black grid. It truly WAS like putting together a puzzle because I was so disorganized. It took forever to find the needed pieces and complete my card

But, when the girls proceeded on their journeys to making this card, I told them the difficulty I'd had. So they were much more organized, and the process went much more quickly and easily.

This is the card I used as my sample for the workshop:

As I observed the girls putting together their own creations, my fingers itched to go through that pile of prettily colored papers and do another one.

Well, towards the end of the workshop, I had actually chosen three jewel-toned colors to make another of my own. The colors, when put together, looked fairly Christmas-y. So, when I realized that it was JULY, I decided to  . . . you guessed it: Make a CHRISTMAS IN JULY card! 

To proceed more easily with my next creation, I was a bit smarter than my first time. I gently removed the cut-out puzzle pieces from the die in as close to one piece as possible, re-inserting any of the pieces that had fallen out. I then had three separate puzzles within their grids in each of my chosen colors to work from. The difference this small bit of care and organization made was incredible. And I whipped through my first card in minutes!

You see, the first time I made my sample card, you will recall that all three of the colored pieces were in a heap, some right side up, some upside down. A proverbial mess. That had me frustrated right off the bat. Every time I picked up a piece for a specific area of the grid, it turned out to be wrong because it was upside down, or some such nonsense. Thus my hesitation to have my girls create one, much less ME even creating another one.

Anyway, as I previously said, this next one came together crazily wonderfully! I simply chose from the colored pieces IN THEIR OWN GRIDS THAT MATCHED MY BLACK GRID. So easy. When I was finished, I still had those three neat-looking colored puzzles sitting there, just begging for more. 

So, I quickly diecut another black grid and went to work on a third creation, simply using other pieces in this card that had not been used in the first. When the second card came together even more quickly -- and I STILL had lots of puzzle pieces left, I hurried over to my Big Shot and cut ANOTHER black grid base.

And proceeeded to create a THIRD card in the same color combination. I could probably make a fourth card from the leftovers, but I've decided that three was enough. I must admit that I am truly in love, and cannot wait to choose some more color combos!

To complete the Christmas-y effect of the cards, I cut my words with the Christmas Greeting Thinlits (page 192 of the catalog). Since the words resting against such an incredibly busy background did not make them stand out enough, I simply adhered the colored words to Whisper White cardstock and cut them out with a slight white border. Perfect!

These are the three cards I completed with my one color combination:

Please keep watching my blog in the coming weeks. 
I will have a giveaway of your choice of one of these cards to commemorate a special occasion.